Adobe illustrator cc stroke gradient free download

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Remember, in an earlier tutorial, you might not have done it. So what we can do is, first of all, the Width Tool, it’s this guy here. I’m going to grab this end to kind of make it– that gives me my nice even kind of pokey thing. Next thing, I want to add a Stroke Gradient. There’s kind of a new version of Illustrator. Under ‘Strokes’, if you’re using this particular file, I’ve got all these Gradients already loaded in here for you.

If you don’t, obviously you can use the Gradient Tool. It’s under ‘Window’, ‘Gradients’, and make your own. But I’m going to click on one of these, decide which one I want to use. No right or wrong. You might hate Gradients. Now the one thing with Gradients though, is if I open up ‘Gradient Options’, or go to ‘Window’, ‘Gradient’, then applying it to the Stroke, you need to go left to right because that’s what it’s doing.

Or the second one in this, that’s what I want. I want it to kind of follow the line. This one here goes left to right, following the line, this one goes straight down following the line.

This one here just goes like left to right regardless of where the Stroke goes. Hopefully that makes sense. You can flip it, there’s an option there to flip, deciding on how you want to do it.

All I’m going to do now for a second is, let’s speed this up because all I’m going to do is rotate them, and spin them around. So let’s go speedy version. Okay, we’re back. If you were to watch that real time, it took me forever.

I don’t know why, I’m just trying to– I don’t know, it’s not flowing right. But you get the idea, right? We got some kind of curves and gradients. I’m going to select all of them on the top here and basically all we do is we go to the Blending Mode, which is under ‘Opacity’, and go to ‘Normal’, and just kind of play around with the ones that we like. Instantly darker, look’s kind of cool.

I’m looking for these kind of joints where things start overlapping, and doing cool stuff. Now, it will depend on the colors that you’re using. So have a work your way through and just see what– some cool interactions here. Remember that shortcut, ‘Command H’?

Usually turn back on. Multiply, Color Burn, well Color Burn is kind of nice. Watch what we’re doing. Now I’m just messing about, I’m going to do some cropping. You can skip on to the next video if you like. It would be fine if this were a circle, because it would look just fine in here. But when I go in and Ideo Oval here, I would like it to fit to the oval.

Well, we do have this feature here to control the aspect ratio, so if I do a perfect circle, that’s fine. But if I don’t, then it’s gonna look like the the Grady int is chopped off.

I could go in here and I could control the aspect ratio. So that it actually matches my oval and you’ll notice when I go ahead and I scrunch my shape up, then it will actually go through and adjust automatically. So, you know, in just the simplest ways here I could go in and I could create a little drop shadow puddle underneath something just by using my radio, Grady and here and putting it into an oval and adjusting the aspect ratio once I dio and I get that to fit whenever I just that it will allow me to go in and keep the aspect ratio.

How simple is that? Well, that’s ridiculously simple. And it’s like, Okay, yeah, you know, that’s kind of cool. Yeah, kind of, but not that awesome. But it’s just a really simple drop shadow. Now we can also control the opacity of these things too. So we don’t have tohave.

The opacity go from solid color to something else. We can adjust the opacity on each one of these sliders. So if I had a fill here and I wanted the purple in here to be an opacity so that it actually showed through, I could then take my Grady int They could put it over something and actually have a go to that color but actually have it shined through as well, which can be kind of interesting and for trying to blend things together.

So not only do I have the ability to adjust that color, I also have the ability to just the opacity on that color. You’ll notice once they adjust the opacity here, the little checkerboard comes through. If you’re familiar with photo shop, you know what that transparency looks like. So, yeah, I could go in, and I can control the opacity of this overall. Do that. All basic stuff. I loved this class! Jason is very clear teaching! I learned a lot about the blending tool!

I do recommended. I am blown away by the possibilities. Thanks Jason, I wouldn’t be able to do these things without you. I’m definitely purchasing! Skip to main content. Buy Class. Sale Ends Soon! Save Class. Lesson Info 2. Creating Gradients on Fills and Strokes Learn how to apply gradients to not only fills on vector objects but also strokes; Jason shows you the different options and when to utilize them. How does a linear gradient differ from a radial gradient? The gradient mesh tool vs.

How do you make a drop shadow? Jason tackles these questions and more in this lesson. Lessons Class Trailer. Lesson Info Creating Gradients on Fills and Strokes if we have a grading it on the stroke again with my Grady and tool, you notice when I try to go in and I try to blend my Grady int on the stroke, The Grady int tool doesn’t work.

In fact, Jason has been performing high-end electronic production since the. Ratings and Reviews Anne. I have a close shape. I can blend it across as if it’s a shape. I can go ahead and do it following the path. But then I could also go been and I could make it so that it does it actually along the path itself across the stroke is what they’re saying here. Now, why is this interesting? Well, it’s interesting because of this. If I wanted to go in here and I wanted to make an interesting stroke right here, I could go in and I’m going to add highlighting a shadow to my grade Ian ramp right here.

And I’m gonna go back in and I’m going to add a color here. Now, here’s a cool trick that I like to dio I’ve got my shadow. I’ve got my highlight right here. And I’d like to go ahead and put another dark section on my line.

I could just click here and then double click on this and select black. I’m not gonna do that. I’m gonna copy this color. I’m gonna move it over. Hold down the option or the old key an option, click and drag that works for copying. And it also works for going in and copying your colors here. Now, you can see when you have something like this where you do ingredient when it is actually applied across the stroke. Now you can get some type of dimension out of that too Little O ring or a tire or something like that.

It’s like, OK, that can kind of look cool. We’ll leave that there, and we’re gonna come back to this because there’s gonna be a lot of cool things that were going to do with this. And I just want to get you started into some of the very basics of going in and doing the radiance. Now, when you have an open shape here, these tools really don’t do much going through and doing much of anything here.

So a close shape is really where these particular Grady INTs start to shine. Now, I also want to show you the freeform Grady int tool. Now the free for ingredient tool is cool. Brand new feature here to go in and you notice I can go ahead.

And if I would like to switch those I can always go to my little reverse to get the linear the radio to go one direction or another and I can do my radio and I can have it radiate in or radiate out. All right, so those are some of the functions and features and then I get this really cool freeform Grady int that allows me to go in and actually land different colors on my greedy int.

And if you’ve ever done a Grady int mesh, that was always super tricky to go ahead and dio and it’s like, wow, this free transform this freeform Grady in here I can take this and they can land all these points all over this. But okay, this is fine, and it just looks like a whole bunch of dots fading into each other.

And that’s that’s not much of anything. But we are going to create something cool with this. So I just want to show you we could do a basic fill with this that could be a linear or a radial, Grady int weaken dio ingredient on a stroke like we have here. And then we can also go in and do the freeform radiant here.

Now, the freeform Grady int you’ll notice is not highlighted right here when we do this. And the reason why is because when we try to do the free for ingredient and edit it in order to be able to do anything with it, you gotta have your object selected, and then your fill. If you got it filled, then you have to go and select your Grady int tool in order to be able to get in here and actually edit your free for ingredient.

Okay, So the great Aunt Tool is kind of like the activator for this right here. A couple of the things I want to show you two before we get into really complex items here.

Just doing really simple basic little drop shadows on stuff. I’m gonna go in and I’m gonna type in a number here, and you’re gonna see why I’m gonna do this Really shortly on, uh, going on. I make this big pick out a nice when it’s gonna look really good. I need something that’s got a lot of character with this here.

 
 

 

[Adobe illustrator cc stroke gradient free download

 

The Freeform gradient can be applied only on the fill of an object. You can create or modify a gradient using the Gradient tool or the Gradient panel. Use the Gradient tool when you want to create or modify gradients directly in the artwork and view the modifications in real time.

Active or previously used gradient B. Drop-down list for existing gradients C. Fill color D. Stroke color E. Reverse Gradient F. Gradient Annotator G. Color stop H. Mid point I. Color Picker J. Show or hide options K. Gradient types L. Stroke types M. Angle N. Aspect Ratio O. Delete Stop P.

Opacity Q. Location R. Fill or stroke with color S. Color Stop T. Spread U. Freeform gradient V. Freeform gradient modes. The Gradient tool and the Gradient panel have many options common between them. However, there are some tasks that you can perform only with the tool or the panel. Using the Gradient tool and the panel, you can specify multiple color stops, their location, and spread. You can also specify the angle at which colors display, the aspect ratio of an elliptical gradient, and the opacity of each color.

For the linear and radial gradient types, when you click the Gradient tool in the toolbar, Gradient Annotator appears in the object. Gradient Annotator is a slider that shows a starting point, an end point, a midpoint, and two color stops for the starting and end points.

Gradient Annotator B. Dotted ring C. Point to change aspect ratio D. Rotation cursor E. Point to resize radial gradient F. End point arrow point G. Selected color stop J. Origin point. You can use Gradient Annotator to modify the angle, location, and spread of a linear gradient; and the focal point, origin, and spread of a radial gradient.

Once the gradient annotator appears in the object, you can either use the Gradient panel or Gradient Annotator to add new color stops, specify new colors for individual color stops, change opacity settings, and drag color stops to new locations.

In linear and radial gradient annotators, dragging the circular end starting point of the gradient slider repositions the origin of the gradient and dragging the arrow end end point increases or decreases the range of the gradient.

If you place the pointer over the end point, a rotation cursor appears that you can use to change the angle of the gradient. Note : Freeform gradient lets you place color stops anywhere in the object. Therefore, Freeform gradient does not require a Gradient Annotator. When you click the Gradient tool to apply a gradient for the first time, the White, Black gradient is applied by default. If you had applied the gradient previously, the last used gradient is applied on the object by default.

Illustrator also provides a predefined set of gradients that you can set using the Gradient panel or the Swatches panel. In addition, you can create a gradient and save it in the Swatches panel for future use. To apply a predefined or a saved gradient from the Gradient panel:.

Based on your requirements, you can choose to apply a linear, radial, and freeform gradient to your artwork. To copy a freeform gradient from one object to another, use the Color Picker tool in the toolbar.

You can set the spread of a color stop in the points freeform gradient. Spread is the circular area around the color stop in which a gradient is to be applied.

To set the spread of a color stop, select the color stop and do one of the following:. Note : You can also drag the line segments and join them together if you want. When you apply a gradient, the default experience is applied on the selected object. This option is disabled for the Windows bit machine.

You can modify the color, origin, opacity, location, and angle of a gradient from the Gradient tool, Gradient panel, Control panel, and Properties panel. To directly enter into the gradient editing mode from the Gradient panel, select the object and click the Edit Gradient button. You can then edit the options, such as color stops, color, angle, opacity, location, aspect ratio, etc.

Shades of the same color B. Two different colors C. Modified angle D. Resized annotator E. Changed location. Two different colors B. Changed origin within the dotted ring C. Changed location of Gradient Annotator D.

Changed aspect ratio E. Changed mid-point location. Note : When you select a color stop for gradient, the Control panel and the toolbar show options for modifying color stops. In addition, the color options are displayed on the Color tab to the right. Color stop B. Spread C. Opacity D.

Color E. Swatches F. Color Picker G. Swatch colors. Note : Gradient Annotator cannot be resized with the starting point origin. To reverse the colors in the gradient, click Reverse Gradient in the Gradient panel. If you want to create a single, multicolored object on which colors can flow in different directions use a mesh object. For details, see Meshes. Legal Notices Online Privacy Policy. Adobe Illustrator Features What’s New. Buy now. Gradients Search.

Go to Adobe Illustrator User Guide. Last updated on Also Applies to Adobe Illustrator. Learn how to create gradients of different types in Illustrator. Gradient types. In Illustrator, you can create the following three types of gradients: Linear Use this gradient type to blend colors from one point to another in a straight line. Radial Use this gradient type to blend colors from one point to another point in a circular pattern. Freeform Use this gradient type to create a graduated blend of color stops within a shape in an ordered or random sequence such that the blending appears smooth and natural.

Freeform gradient can be applied in two modes: Points : Use this mode to shade the area around a color stop. Lines : Use this mode to shade the area around a line. Gradient tool and Gradient panel. To open the Gradient tool, click Gradient Tool in the toolbox. Double-click the Gradient tool in the toolbar. The Gradient panel is displayed on the canvas. Gradient Annotator. Apply a predefined gradient. To apply a predefined or a saved gradient from the Gradient panel: Select the object on the canvas and click the Gradient drop-down in the Gradient panel.

In the Swatches panel, click the drop-down in the upper-right corner. Create and apply linear, radial, and freeform gradients. Create and apply a linear gradient Create and apply a radial gradient Create and apply a freeform gradient. Create and apply a linear gradient. To create a linear gradient, do one of the following: Click the Gradient tool and then click the object on the canvas.

The Gradient Type buttons are displayed in the Control panel or Properties panel. With the object selected, click Linear Gradient to apply the Linear gradient on the object.

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